“Amy Freund’s rich and beautifully illustrated study, Portraiture and Politics in Revolutionary France, tackles the fascinating collaborative role played by portrait artists and their sitters in the ‘reimagining of selfhood’ (5) and construction of the ‘citizen’ within the context of the new political and social order(s) from the fall of the Bastille to the rise of Napoleon. By tightly focusing on the period 1789–1804, Freund highlights the close correlation between changing régimes—from the Estates-General to the National Assembly, through the Terror, the Directory, and the Consulate—and the visual representation of French subjecthood, identity, and political agency.”
—Alexandra K. Wettlaufer, Nineteenth-Century French Studies