Contents
List of Illustrations
Foreword
Inge Reist
Introduction: Looking Backward: Americans Collect Italian Renaissance Art
David Alan Brown
Part I
The Lure of Italy: Art and the Market Before Bernard Berenson
1 James Jackson Jarves and the “Primitive” Art Market in Nineteenth-Century America
Clay M. Dean
2 “Modern Connoisseurship” and the Role It Played in Shaping American Collectors’ Taste in Italian Renaissance Art
Jaynie Anderson
3 Discovering the Renaissance: Pierpont Morgan’s Shift to Collecting Italian Old Masters
Jennifer Tonkovich
Part II
The Ubiquitous BB
4 Boston Collectors in the Wake of “Mrs. Jack”
Frederick Ilchman
5 Henry Walters and Bernard Berenson
Stanley Mazaroff
6 Mary Berenson and the Cultivation of American Collectors
Tiffany Johnston
Part III
A Taste of One’s Own: A New American Renaissance
7 Collecting North Italian Painting at The Metropolitan Museum of Art
Andrea Bayer
8 Building a Renaissance Collection and Museum After the Gilded Age: The Case of John Ringling
Virginia Brilliant
9 Samuel H. Kress and His Collection of Italian Renaissance Paintings
Edgar Peters Bowron
References
List of Contributors
Index
Illustrations
Frontispiece Frontispiece: Duccio di Buoninsegna (ca. 1255–ca. 1319), The Temptation of Christ on the Mountain, 1308–11
1 Titian (Tiziano Vecellio, ca. 1488–1576), Europa, 1559–62
2 Giorgione (1477/78–1510), The Adoration of the Shepherds, 1505–10
3 Exhibition Berenson and the Connoisseurship of Italian Painting, held at the National Gallery of Art in Washington in 1979
4 Giovanni Bellini (ca. 1430/35–1516), Saint Francis in the Desert, ca. 1475–78
5 Frances Benjamin Johnston (1864–1952), [Blowing pinwheels], 1899
6 Tebbs & Knell, Inc., the West Room of Pierpont Morgan’s Library, ca. 1914
7 The “Raphael Room” at Lynnewood Hall, the Widener estate
8 Kress apartment, decorated in Italian Renaissance style
9 Kress apartment, decorated in Italian Renaissance style
10 Larkin Goldsmith Mead (1835–1910), James Jackson Jarves (1818–1888), 1883
11 Antonio del Pollaiuolo (ca. 1432?–1498), Hercules and Deianira, ca. 1475–80
12 Magdalen Master (active ca. 1265–95), Virgin and Child Enthroned with Saints Leonard and Peter, ca. 1280
13 Gentile da Fabriano (ca. 1370?–1427), Virgin and Child, ca. 1420–24
14 Unknown artist, Giovanni Morelli, ca. 1880s
15 Unknown German artist, Giovanni Morelli in His Undergraduate Lodgings at the University of Munich, ca. 1835
16 Gaetano Zançon (1771–1816), after Lorenzo Lotto (about 1480–1556/7), Portrait of the Physician Giovanni Agostino della Torre and His Son, Niccolò, 1800–15
17 Lorenzo Lotto (about 1480–1556/7), Giovanni Agostino della Torre and His Son, Niccolò, ca. 1513–16
18 Lorenzo Lotto (about 1480–1556/7), Giovanni Agostino della Torre and His Son, Niccolò, ca. 1513–16
19 “The Magnet.” Editorial cartoon by Udo Keppler from Puck, June 21, 1911
20 Scipione Vannutelli (1834–1894), The Cardinal’s Fête, n.d.
21 The Rotunda. New York, The Morgan Library and Museum
22 Morgan’s study. New York, The Morgan Library and Museum.
23 Pierpont Morgan’s study with Lippi panels
24 Early Italian Room, Isabella Stewart Gardner Museum
25 Piermatteo d’Amelia, ca. 1450–1503/8, Annunciation, ca. 1475
26 Filippino Lippi (1457–1504), The Holy Family with Saint John the Baptist and Saint Margaret, ca. 1495
27 Attributed to Pinturicchio (Bernardino di Betto, ca. 1452–1513), formerly attributed to Fiorenzo di Lorenzo, ca. 1445–1522, Virgin and Child with Saint Jerome, ca. 1475–80
28 The Walters Art Gallery at the time of the grand opening of the Walters’ new museum in 1909
29 Salle V in the Massarenti Gallery, Rome, about 1900, showing self-portraits attributed to Michelangelo and Raphael
30 Cartouche with bronze bust of William T. Walters
31 Sodoma (1477–1549), The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist, ca. 1525–30
32 Workshop of Bernardo Daddi (ca. 1290–1348), Madonna and Child, ca. 1340
33 Mary Berenson, ca. 1910.
34 Mary Berenson Colony Club lecture handbill
35 Moretto da Brescia (Alessandro Bonvicino, ca. 1498–1554), The Entombment, 1554
36 Moretto da Brescia (Alessandro Bonvicino, ca. 1498–1554), Christ in the Wilderness, n.d.
37 Giovanni Gerolamo Savoldo (1480/85–after 1548), Saint Matthew and the Angel, ca. 1534
38 Correggio (Antonio Allegri, active by 1514–died 1534), Saints Peter, Martha, Mary Magdalen, and Leonard, n.d.
39 Titian (Tiziano Vecellio, ca. 1488–1576), Portrait of a Man, ca. 1515
40 Unknown photographer, John Ringling in Front of the Ca’ d’Zan, ca. 1930
41 John H. Phillips, Air Plane View of the John and Mable Ringling Museum of Art, 1928
42 John H. Phillips, View of the Italian Room, ca. 1927
43 Veronese (Paolo Caliari, 1528–1588), Rest on the Flight into Egypt, ca. 1570
44 Piero di Cosimo (1461–1521), The Building of a Palace, ca. 1515
45 Workshop of Titian (Tiziano Vecellio, ca. 1488–1576), Sultana Rossa, 1550s
46 Samuel H. Kress (1863–1955), in the early 1900s
47 Andrea di Bartolo (active 1389–1428), Madonna and Child [obverse], ca. 1415
48 Vincenzo Catena (ca. 1480–1531), Virgin and Child with Saint John the Baptist and Joseph, ca. 1525
49 Duccio di Buoninsegna (ca. 1255–ca. 1319), The Calling of the Apostles Peter and Andrew, ca. 1308–11
50 Giotto di Bondone (probably 1266–1337), The Peruzzi Altarpiece, ca. 1310–15