Chaucer

PENN STATE UNIVERSITY PRESSISBN: 9780271074801

Visual Approaches

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Edited by Susanna Fein, David Raybin
Imprint:
PENN STATE UNIVERSITY PRESS
Release Date:
Format:
HARDBACK
Dimensions:
254 x 178 mm
Weight:
1110 g
Pages:
328

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Description

Contents

List of Illustrations

Preface . Chaucer: Visual Approaches / Susanna Fein and David Raybin

Acknowledgments

I. WAYS OF SEEING

1 Intervisual Texts, Intertextual Images: Chaucer and the Luttrell Psalter / Ashby Kinch

2 Creative Memory and Visual Image in Chaucer’s House of Fame / Alexandra Cook

3 “Quy la?”: The Counting-House, the Shipman’s Tale, and Architectural Interiors / Sarah

Stanbury

4 The Vernon Paternoster Diagram, Medieval Graphic Design, and the Parson’s Tale /

Kathryn Vulić

II. CHAUCERIAN IMAGESCAPES

5 Standing under the Cross in the Pardoner’s and Shipman’s Tales / Susanna Fein

6 Disfigured Drunkenness in Chaucer, Deschamps, and Medieval Visual Culture / Laura Kendrick

7 The Franklin’s Tale and the Sister Arts / Jessica Brantley

8 Miracle Windows and the Pilgrimage to Canterbury / David Raybin

III. CHAUCER ILLUSTRATED

9 Translating Iconography: Gower, Pearl, Chaucer, and the Rose / Joyce Coleman

10 “Qui bien ayme a tarde oblie”: Lemmata and Lists in the Parliament of Fowls /

Martha Rust

11 The Visual Semantics of Ellesmere: Gold, Artifice, and Audience / Maidie Hilmo

12 Drawing Out a Tale: Elizabeth Frink’s Etchings Illustrating Chaucer’s “Canterbury

Tales” / Carolyn P. Collette

Notes

Bibliography

Editors and Contributors

Index of Manuscripts

General Index


“Susanna Fein and David Raybin, consummate Chaucerians, have drawn together one of the most compelling collections of essays I have seen on Chaucer in recent years. . . . Essay after essay, including each of their own, shapes a sparklingly original argument based on a wealth of visual material: the profusion of images, new arguments, and deeply researched manuscript observation offers insights on every page. We do not just read Chaucer freshly, we see his imagination at work and are sent back to his writing to rediscover its rich colors for ourselves.”

—Ardis Butterfield, author of The Familiar Enemy: Chaucer, Language, and Nation in the Hundred Years War

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