Description
<p>Contents</p><p></p><p>Preface and Acknowledgments</p><p></p><p>Introduction</p><p>1	Art, Biology, and the Aesthetics of Selection</p><p>2	Memes and Trees: Art History as Evolution</p><p>3	Brains, Caves, and Phalanxes: Neuroaesthetics and Neuroarthistory</p><p>4	Self-Organizing Evolution: Art as a System</p><p>Conclusion: On the Multiple Cultures of Inquiry</p><p></p><p>Notes</p><p>Selected Bibliography</p><p>Index</p>
Reviews
“A thoughtful examination of the attempts to reduce aesthetics and art history to neurophysiology or evolutionary science. It provides a comprehensive survey and penetrating analysis of the efforts to impose biological models on the understanding of the arts that have proliferated in recent decades.”
—Branko Mitrović, author of Rage and Denials: Collectivist Philosophy, Politics, and Art Historiography, 1890–1947

