“Until comparatively recently, the prevailing critical consensus on James’s fiction could be characterised by Julia Briggs’s insistence that, though masterfully entertaining and obviously the work of a learned scholar, his tales were superficial edifices with little to offer the serious literary critic. Perhaps paradoxically, in resolutely laying bare the sheer elusiveness of James’s fictions—their absolute refusal to settle into one final ‘meaning’—Murphy has fashioned a rich, allusive study, which demonstrates just how fertile a field for theoretical and historical enquiry these endlessly fascinating tales can be.”
—Dewi Evans, Irish Journal of Gothic & Horror Studies