Contents
List of Illustrations
Acknowledgments
Introduction (Nicoletta Leonardi and Simone Natale)
Part I: The Emergence of Modern Communications
1. Elephans Photographicus: Media Archaeology and the History of Photography (Erkki Huhtamo)
2. A Mirror with Wings: Photography and the New Era of Communications (Simone Natale)
3. The Traveling Daguerreotype: Early Photography and the U.S. Postal System (David M. Henkin)
4. The Telegraph of the Past: Nadar and the Time of Photography (Richard Taws)
5. With Eyes of Flesh and Glass Eyes: Railroad Image-Objects and Fantasies of Human-MachineHybridizations in the Mid-Nineteenth-Century United States (Nicoletta Leonardi)
Part II: Technologies of Reproduction
6. Peer Production in the Age of Collodion: The Bromide Patent and the Photographic Press, 1854–1868 (Lynn Berger)
7. Two or Three Things Photography Did to Painting (Jan von Brevern)
8. Uniqueness Multiplied: The Daguerreotype and the Visual Economy of the Graphic Arts (Steffen Siegel)
9. Photographs in Text: The Reproduction of Photographs in Nineteenth-Century Scientific Communication (Geoffrey Belknap)
Part III: Popular Cultures
10. In the Time of Balzac: The Daguerreotype and the Discovery/ Invention of Society (Peppino Ortoleva)
11. Sound Photography (Anthony Enns)
12. Photography, Cinema, and Perceptual Realism in the Nineteenth Century (Kim Timby)
13. The Double-Birth Model Tested Against Photography (Andre Gaudreault and Philippe Marion
Afterword: Media History and History of Photography in Parallel Lines (Geoffrey Batchen and Lisa Gitelman
Bibliography
List of Contributors
Index

