Jules Michelet

PENN STATE UNIVERSITY PRESSISBN: 9780271083575

Writing Art and History in Nineteenth-Century France

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By Michele Hannoosh
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PENN STATE UNIVERSITY PRESS
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Pages:
248

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Description

List of Illustrations

Acknowledgments

List of Abbreviations

Introduction

1. Art and the Writing of History

2. The Gothic Drama of the Middle Ages: Reims and Strasbourg Cathedrals

3. The Unfinished Renaissance: Van Eyck, Rubens, Dürer

4. Civil War in the Century of Woman: Fontainebleau, Goujon, Pilon

5. Nation and the People: G.ricault

Conclusion: The Artist as Historian: Rembrandt

Notes

Bibliography

Index



“‘History can be an aliment only when it is full as an egg,’ according to Roland Barthes’s assessment of the romantic histories of the great nineteenth-century writer Jules Michelet. Michèle Hannoosh, in her own intellectual biography of the historian, picks up a crucial ingredient of this egg that Barthes had introduced but almost put aside: Michelet’s deep indebtedness to different periods and types of visual art. Hannoosh’s book remedies this ‘lack’ by offering us a most insightful, intelligent, and imaginative account of how dependent, in many ways, his historical vision was to works of art.”

—Michael Ann Holly, author of The Melancholy Art

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