Forming Sleep

PENN STATE UNIVERSITY PRESSISBN: 9780271086118

Representing Consciousness in the English Renaissance

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Edited by Nancy L. Simpson-Younger, Margaret Simon
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PENN STATE UNIVERSITY PRESS
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HARDBACK
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Pages:
246

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Description

Acknowledgments

Introduction: Forming Sleep

Margaret Simon and Nancy Simpson-Younger

Part I: Sleep States and Subjectivity in Early Modern Lyric

1. Thinking Sleep in the Renaissance Sonnet Sequence

Giulio J. Pertile

2. Rest and Rhyme in Thomas Campion’s Poetry

Margaret Simon

3. “Still in Thought with Thee I Go”: Epistemology and Consciousness in the

Sidney Psalms

Nancy Simpson-Younger

Part II: Sleep, Ethics, and Embodied Form in Early Modern Drama

4. Making the Moor: Torture, Sleep Deprivation, and Race in Othello

Timothy A. Turner

5. Sleep, Vulnerability, and Self-Knowledge in A Midsummer Night’s Dream

Jennifer Lewin

6. “The Heaviness of Sleep”: Monarchical Exhaustion in King Lear

Brian Chalk

Part III: Sleep and Personhood in the Early Modern Verse Epic and Prose Treatise

7. Life and Labor in the House of Care: Spenserian Ethics and the Aesthetics of Insomnia

Benjamin Parris

8. “Sweet Moistning Sleepe”: Perturbations of the Mind and Rest for the Body in Robert Burton’s Anatomy of Melancholy

Cassie M. Miura

9. The Physiology of Free Will: Faculty Psychology and the Structure of the Miltonic Mind

N. Amos Rothschild

Afterword: Beyond the Lost World: Early Modern Sleep Scenarios

Garrett A. Sullivan Jr.

Bibliography

List of Contributors

Index



“This fascinating book argues that human sleep and sleeplessness is (and was) shaped as much by social and cultural factors as by human biology. Its pages represent an important justification of literary and historical inquiries into the extraordinary variability of human sleep habits that can be traced across time and space. Those who choose to read this book will soon appreciate why humanities scholarship is so essential to understanding one of the most essential features of human life.”

—Sasha Handley, author of Sleep in Early Modern England

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