Jan Olsson is professor emeritus of cinema studies at Stockholm University. The author of Hitchcock a la Carte and the founding editor of Aura: Film Studies Journal, he has published widely on multiple aspects of film and media studies.
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Description
List of Illustrations Acknowledgments Concepts and Considerations: An Introduction 1 Business and Economics 2 Starting Up the LidingOE Studio 3 Novel Production Practices: 1913 4 Productions and Alliances: 1914-1916 5 Conceptual Indicators of Changes in Film Style 6 From "Nonsense to Film Art: Historiographic Negotiations 7 Critical Recognition and Commercial Misgivings: Responses from Key Markets 8 Crossroads: From LidingOE to Berlin via Dalecarlia and London 9 Archival Practices: From the Swedish Film Society and First-Generation Scholarship to the Swedish Film Institute Conclusion Appendix 1. Intertitles and Other Indications of Temporal Shifts Between Reels in Films from 1912 to 1916 Appendix 2. Svensk Filmindustri's Educational Department Catalogs Appendix 3. Directors at the SB Studio (Apart from SjOEstrOEm and Stiller) Notes Selected Bibliography Index

