Medieval Robots


Mechanism, Magic, Nature, and Art

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By E. R. Truitt
Imprint:
UNIVERSITY OF PENNSYLVANIA PRESS
Release Date:
Format:
PAPERBACK
Dimensions:
229 x 152 mm
Weight:

Pages:
277

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Description

E. R. Truitt is Associate Professor of History and Sociology of Science at the University of Pennsylvania.

List of Abbreviations Introduction. The Persistence of Robots: An Archaeology of Automata Chapter 1. Rare Devices: Geography and Technology Chapter 2. Between Art and Nature: Natura artifex, Neoplatonism, and Literary Automata Chapter 3. Talking Heads: Astral Science, Divination, and Legends of Medieval Philosophers Chapter 4. The Quick and the Dead: Automata, Memorial Statues, and Corpses Chapter 5. From Texts to Technology: Mechanical Marvels in Courtly and Public Pageantry Chapter 6. The Clockwork Universe: Keeping Sacred and Secular Time Notes Bibliography Index Acknowledgments

"Medieval Robots is not only a remarkably evocative book, but it also breaks new ground by virtue of being the first survey of its kind in the English-speaking academic world, relocating our discussion of the legacy of ancient automata to novel chronological coordinates. It is reasonable to hope that Truitt's book will lead to a reconsideration of 'Abbasid patronage of science, magical hermetism, and the nexus of technology and ethnography, among many other themes, not to mention to our understanding of the Middle Ages itself." (Reviews in History) "Engagingly written and thoughtfully researched, Medieval Robots will be of value to specialists in the intellectual and literary history of the Middle Ages, as well as to more general readers. . . . Truitt's suggestive and nuanced account both firmly establishes the importance of medieval automata in the wider development of Western thought about the relationship of science, technology, and the imagination and opens the door to further research." (American Historical Review) "The first comprehensive work of scholarship on European automata of the Middle Ages, Medieval Robots systematically and chronologically works through themes such as the transition from the magical to the mechanical and the liminal status of robots between art and nature, familiar and foreign. Well researched and well written, the book does an excellent job of showing the wider cultural significance of automata within medieval history and the history of science." (Pamela O. Long, author of Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance)

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