Melissa Bailes is Associate Professor of English at Tulane University and the author of Questioning Nature: British Women's Scientific Writing and Literary Originality, 1750-1830 (Virginia).
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Acknowledgments Introduction: Revealing the Strawman; or, the Historical Hoodwinking of Romanticism 1. Botany's Seasonal Disorder: Thomson's Progressive Time, Conjectural Histories, and the Backwardness of Spring 2. Linnaeus's Botanical Clocks: Chronobiological Mechanisms in the Scientific Poetry of Erasmus Darwin, Charlotte Smith, and Felicia Hemans 3. Transformations of Gender, Race, and Poetic Sensibility: Maria Riddell's Transatlantic Botany and Biopolitics 4. Cultivated for Consumption: Botany, Colonial Cannibalism, and National/Natural History in Sydney Owenson's The Wild Irish Girl 5. "On the green margin": Place, Sensibility, and Originality in Charlotte Smith's "Flora" 6. Botany and Madness: Anna Seward, Sensibility, and the Floral Insanities of Darwin, Cowper, Wordsworth, and Clare Conclusion: De Quincey, Hazlitt, Wordsworth, and the Critical Fate of Romanticism and Scientific Literature Notes Bibliography

