Katherine Cox is an independent scholar living in France.
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Description
List of Illustrations Acknowledgments Introduction 1. "Infant Cries": Meteorological Voices in The Nativity Ode 2. Early Acoustic Theory and the Aural Soul in Comus 3. The Power of the Air in Milton's Epic Poetry 4. "How cam'st thou speakable of mute": Satanic Acoustics in Paradise Lost 5. Milton and the Barometer: Climate Change in Pneumatic Science 6. "Throttled at length in the Air": Environmental Warfare and Climate Regained Epilogue Bibliography
"A major contribution to the critical understanding of early modern notions of climate and climate change. This is an extremely impressive work of scholarship, and one of the very best works on Milton in recent years. Thorough, creative, and compelling." - Christopher Kendrick, Loyola University Chicago, author of Milton: A Study in Ideology and Form "A highly original, well researched, and impressively informative study full of bracing surprises and rich in fresh insights into Milton's poetry, place, and times. Cox's book embodies a thoroughgoing, detailed, and ultimately convincing insistence on the importance and interconnectedness for Milton (and beyond) of climate, meteorology, pneumatology, air, airs, winds, spirits, inspirations, exhalations, voices, and music." - Dennis Danielson, University of British Columbia, author of Milton's Good God: A Study in Literary Theodicy