Acknowledgments IntroductionCarving Japanese American Memory into Place1 The Representation of the Japanese American Body in the Documentary Photography of Ansel Adams, Dorothea Lange, and Toyo Miyatake2 Beyond the Camera and between the Words Inserting Oneself into the Picture and into Japanese American(Art) History-Mine Okubo's Citizen and the Power of Visual Autobiography 3 The Gendering of Historical Trauma in Wartime Films and the Disciplining of the Japanese American Body 4 Museums, Memory, and ManzanarContesting Our National Japanese American Past through a Politics of Visibility5 Another Lesson in "How to Tell Your Friends Apart from the Japs"The Winter Olympics Showdown between Kristi Yamaguchi of the United States and Midori Ito of Japan EpilogueImag(in)ing the Multiracial Japanese American Body at the Turn of the Millennium Notes Bibliography Index About the author