Useful Cinema

Charles R. Acland is Professor and Concordia University Research Chair in Communication Studies at Concordia University in Montreal. He is the author of Screen Traffic: Movies, Multiplexes, and Global Culture, also published by Duke University Press, and the editor of Residual Media. Haidee Wasson is Associate Professor in the Mel Hoppenheim School of Cinema at Concordia University. She is the author of Museum Movies: The Museum of Modern Art and the Birth of Art Cinema and a co-editor of Inventing Film Studies, also published by Duke University Press.

Acknowledgments ix Introduction: Utility and Cinema / Haidee Wasson and Charles R. Acland 1 1. Celluloid Classrooms "What a Power for Education!": The Cinema and Sites of Learning in the 1930s / Eric Smoodin 17 "We Can See Ourselves as Others See Us": Women Workers and Western Union's Training Films in the 1920s / Stephen Groening 34 Hollywood's Educators: Mark May and Teaching Film Custodians / Charles R. Acland 59 UNESCO, Film, and Education: Mediating Postwar Paradigms of Communications / Zoe Druick 81 Health Films, Cold War, and the Production of Patriotic Audiences: The Body Fights Bacteria (1948) / Kirsten Ostherr 103 2. Civic Circuits Projecting the Promise of 16mm, 1935-45 / Gregory A. Waller 125 A History Long Overdue: The Public Library and Motion Pictures / Jennifer Horne 149 Big, Fast Museums / Small, Slow Movies: Film, Scale, and the Art Musuem / Haidee Wasson 178 Pastoral Exhibition: The YMCA Motion Picture Bureau and the Transition to 16mm, 1928-39 / Ronald Walter Greene 205 "A Moving Picture of the Heavens": The Planetarium Space Show as Useful Cinema / Alison Griffiths 230 3. Making Useful Films Double Vision: World War II, Racial Uplift, and the All-American Newsreel's Pedagogical Address / Joseph Clark 263 Mechanical Craftsmanship: Amateurs Making Practical Films / Charles Tepperman 289 Experimental Film as Useless Cinema / Michael Zyrd 315 Filmography 337 Bibliography 343 About the Contributors 365 Index 369

"Often, in common understanding, education is seen as opposed to entertainment. But this rich and fascinating volume puts the lie to such assumption both by showing how, across the decades, 'useful' cinema was measured in relation to Hollywood entertainment and indeed interacted with it in complex fashion and by doing so through essays that are themselves compelling and captivating, eloquent and enjoyable. It is itself, in other words, a masterful blend of the entertaining and the useful." - Dana Polan, New York University "This valuable book reveals how moving images proliferated beyond the spectacular confines of theaters to become deeply embedded in everyday life, cultures and institutions. The publication of this fascinating anthology is a welcome sign that cinema history is starting to forgo its longtime fascination with mass-produced glamour and making peace with its most utilitarian (and numerically dominant) genres." - Rick Prelinger, founder of Prelinger Archives "Useful Cinema begins on the perfect point, with the observation that films today 'appear everywhere', from 'iPhone to Imax, from blog inserts to Jumbotrons', so 'becoming integral to our experience of institutional and everyday life'. Thus the histories of the older cultural forms to be found in this interesting anthology are pitched not merely as worthwhile objects of rediscovery in their own right but also as enlightening precursors of the media surrounding and saturating the lives of modern readers...Useful Cinema can confidently be recommended to anyone interested in the intricacies of the relationship between the media and the society of the 20th century - and those of the 21st." Patrick Russell, Reviews in History