Advances in Visual Methodology

Sarah Pink is Professor of Design and Emerging Technologies, Founding Director of the Emerging Technologies Research Lab at Monash University Australia and Associate Director of Monash Energy Institute. She is International Guest Professor at Halmstad University in Sweden, Adjunct Distinguished Professor at RMIT University Australia, where she was previously Director of the Digital Ethnography Research Centre. She is also Visiting Professor in the Design School and Fellow of the Institute of Advanced Studies at Loughborough University, where she was formerly Professor of Social Sciences. Sarah is a Fellow of the Academy of the Social Sciences in Australia. Sarah is a world leader in innovative digital, visual and sensory research and dissemination methodologies, which she engages in interdisciplinary projects with design, engineering and creative practice disciplines to engage with contemporary issues and challenges. She is known globally for her design anthropological research and collaboration across disciplines and with partners inside and outside academia. She has developed and collaborated in visual ethnography research across the world, including in the United Kingdom, Spain, Sweden, Australia, Brazil, Chile and Indonesia.

PART ONE: KEY DEVELOPMENTS AND ISSUES Advances in Visual Methodology: An Introduction - Sarah Pink Visual Ethics in a Contemporary Landscape - Andrew Clark PART TWO: VISUAL PRACTICES AND VISUALING PRACTICE The Politics and Practices of Looking: CCTV Video and Domestic Kitchen Practices - Lydia Martens Video in Analytic Practice - Jon Hindmarsh and Dylan Tutt Virtual/Visual Ethnography: Methodological Crossroads at the Intersection of Visual and Internet Research - Elisenda Ardevol PART THREE: NEW VISUAL SPATIALITIES Community Mapping as Auto-Ethno-Cartography - Cristina Grasseni Visual Ethnography and the Internet: Visuality, Virtuality and the Spatial Turn - Sarah Pink Geomedia-Based Methods and Visual Research. Exploring the Theoretical Tenets of the Localization and Visualization of Mediated Social Relations with Direct Visualization Techniques - Francesco Lapenta PART FOUR: PUBLIC SCHOLARSHIP, ARTS AND VISUAL INTERVENTION Ethno-Mimesis and Participatory Arts - Maggie O'Neill Healing Mirrors: Body Arts and Ethnographic Methodologies - Christina Lammer Digital Technologies, Visual Research and the Non-Fiction Image - Roderick Coover with Pat Badani, Flavia Caviezel, Mark Marino, Nitin Sawhney, William Uricchio PART FIVE: TOWARDS AN INTERDISCIPLINARY VISUAL METHODOLOGY? An Anthropologist in the Film Archives: Interdisciplinary Approaches - Marcus Banks Visualizing Interior Worlds: Interdisciplinary Routes to Knowing - Susan Hogan and Sarah Pink Contemplating the State of Visual Research: An Assessment of Obstacles and Opportunities - Luc Pauwels

This is a book about research that takes the challenge of the internet seriously, that rises above disciplinary difference and points to new directions for social research Rob Walker University of East Anglia A stunning collection of cutting-edge essays which brings together the leading scholars in visual research. Clearly structured, and written in an engaging and accessible style throughout, this invigorating work will be the 'must have' text for teachers and students of `the visual' across the arts, humanities and social sciences Elaine Campbell Reader in Criminology, Newcastle University Sarah Pink's edited collection brings together a range of experienced researchers to share and exemplify their work with visual data in social research... The strength of the collection lies in the consistent combining of introductory material with evidence from authors' own research and reflexive critique of political and ethical issues arising from the work... Recommended reading for doctoral students and teacher-researchers who either intend to elicit visual data or just want to know why they won't. Julian McDougall Media Education Research Journal Pink has put together a volume of essays on visual methodology with the task of "understanding and engaging not only with the newest and latest theoretical developments in our fields, but also with the ways these are co-implicated with technological developments and media practices" (Pink, 2012, p. 3)... The strength of these essays is the rigor with which they engage the concept of space and place, giving them enough detail to be useful not only for theory but also practice - or, put another way, to be useful in meaningfully breaking down theory, practice, and how they need to intersect for strong research. Sara Martel The Communication Review What is distinctive about Sarah Pink's Advances in Visual Methodology is the attempt to establish visual methodology as an interdisciplinary field of practice, while recognizing the interconnectedness of theory, technology and methods. [...] By advancing a process perspective, Pink and colleagues suggest that visual methodology is co-constructed in the research encounter, and constantly re-shaped in the everyday practices of researchers. But the foremost merit of this book consists of drawing connections between theoretical and technological developments, in such a way as to trace possible routes for visual methodology to bring forward new types of knowledge. -- Alice Comi This book is stylistically coherent, generally concise and consistently interesting. I found it very useful in relation to my own research and in helping me gauge my own topographic location within present endeavours in visual methods. [...] I think this book represents a valuable contribution to the field, and one that has clearly been put together with a genuine concern for the health and future of visual methodologies. -- Nathan Stephens Griffin The book is edited by an experienced visual ethnographer, written by an interdisciplinary group of interdisciplinary group of contributors, divided into five parts, and organised around carefully selected topics... Pink's Advances in Visual Methodologies considers and presses beyond the contemporary boundaries of visual research practice and is intended for an audience familiar with visual research techniques. -- Roman R. Williams