Steve Fuller is a Professor of Sociology at Warwick University. Other titles of his include The New Sociological Imagination (SAGE, 2006), and popular The Intellectual (Icon Books, 2006).
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Description
Introduction PART ONE: THE PLACE OF INTELLECTUAL LIFE: THE UNIVERSITY The University as an Institutional Solution to the Problem of Knowledge The Alienability of Knowledge in our So-called Knowledge Society The Knowledge Society as Capitalism of the Third Order Will the University Survive the Era of Knowledge Management? Postmodernism as an Anti-university Movement Regaining the University's Critical Edge by Historicizing the Curriculum Affirmative Action as a Strategy for Redressing the Balance between Research and Teaching Academics Rediscover Their Soul: The Rebirth of 'Academic Freedom' PART TWO: THE STUFF OF INTELLECTUAL LIFE: PHILOSOPHY Epistemology as 'Always Already' Social Epistemology From Social Epistemology to the Sociology of Philosophy The Codification of Professional Prejudices? Interlude: Seeds of an Alternative Sociology of Philosophy Prolegomena to a Critical Sociology of Twentieth-century Anglophone Philosophy Analytic Philosophy's Ambivalence Toward the Empirical Sciences Professionalism as Differentiating American and British Philosophy Conclusion: Anglophone Philosophy as a Victim of Its Own Success PART THREE: THE PEOPLE OF INTELLECTUAL LIFE: INTELLECTUALS Can Intellectuals Survive If the Academy Is a No-fool Zone? How Intellectuals Became an Endangered Species in Our Times: The Trail of Psychologism A Genealogy of Anti-intellectualism: From Invisible Hand to Social Contagion Re-defining the Intellectual as an Agent of Distributive Justice The Critique of Intellectuals in a Time of Pragmatist Captivity Pierre Bourdieu: The Academic Sociologist as Public Intellectual PART FOUR: THE IMPROVISATIONAL NATURE OF INTELLECTUAL LIFE Academics Caught Between Plagiarism and Bullshit Bullshit: A Disease Whose Cure Is Always Worse The Scientific Method as a Search for the (Piled) Higher (and Deeper) Bullshit Conclusion: How to Improvise on the World-historic Stage

