Acknowledgments
Introduction
Chapter One: Contexts
1. The Female Writer in Context: Opportunities, Attitudes, Models
2. Women's Writing and the Counter-Reformation
3. Religious Writing in Post-Tridentine Italy: A Poetics of Conversion
4. Secular Writing in Post-Tridentine Italy: The New Sensualism and the Misogynist Turn
Chapter Two: Lyric Verse
1. Women's Lyric Output, 15801630
2. Pietosi avetti: Spiritual Lyric and the Female Poet
3. The Dwindling Muse: Female-Authored Secular Lyric in Post-Tridentine Italy
Chapter Three: Drama
1. Drama for the Doge: Moderata Fonte's Le feste
2. Arcadian Adventures: Women Writers and Pastoral Drama
3. The Challenge of Tragedy: Valeria Miani's Celinda
Chapter Four: Sacred Narrative
1. Women Writers and the New Sacred Narrative
2. Refashioning the Gospels: New Testament Narrative in Moderata Fonte and Francesca Turina
3. Hagiographic Epic: Lucrezia Marinella's Lives of Saints Columba and Francis
4. Hagiographic Epic Remade: Marinella's Lives of Mary and Saint Catherine of Siena
5. A Medicean Sacred Epic: Maddalena Salvetti's David perseguitato
Chapter Five: Secular Narrative
1. Women Writers and the Literature of Chivalry
2. Ideology and History in Female-Authored Chivalric Epic
3. Gender, Arms, and Love in Female-Authored Chivalric Fiction
4. The Fortunes of Female-Authored Chivalric Fiction
5. Beyond Chivalry: Lucrezia Marinella's Experiments in Mythological Epic and Pastoral Romance
Chapter Six: Discursive Prose
1. Output and Principal Trends
2. Authorizing Women: The Problem of Docere
3. Preachers in Print: Religious Institutio in Maddalena Campiglia and Chiara Matraini
4. Proclaiming Women's Worth: Fonte, Marinella, and the Querelle des femmes
Coda
Appendix: Italian Women Writers Active 1580-1635
Notes
Bibliography
Index
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Description
""After the acclaimed Women's Writing in Italy 1450-1650, in which Virginia Cox offered a crucial critical overview of the phenomenon of Renaissance women writers, she now develops the most critically innovative section of her previous work with this important, intriguing, impressive, beautifully written, and comprehensive new book. The Prodigious Muse ' which implies in its title the variety, ambition, originality, and exceptionality of women's creativity of the period ' is the result of a huge amount of research that opens the way to a new perspective on late-sixteenth- and early-seventeenth-century literature and culture, not only contributing to studies of women but also offering a new view of the history of Counter-Reformation politics and culture. The book is fascinating reading for those who want to learn more on the subject. It proposes a stimulating and well-documented new approach, offering important sources of information to those who work on Counter-Reformation literature and history, as well as on women's writing.""