Chasing Sound

Susan Schmidt Horning is an associate professor of history at St. John's University in New York and a contributor to Music and Technology in the Twentieth Century.

Acknowledgments Introduction 1. Capturing Sound in the Acoustic Era 2. The Studio Electrifies 3. A Passion for Sound 4. When High Fidelity Was New 5. Control Men in Technological Transition 6. The Search for the Sound 7. Channeling Sound Conclusion Notes Essay on Sources Index

[ Chasing Sound] does more than traverse the technology of sound recordings: it provides a history on the evolution of sound recording, quality, and even popular music movements, and is a 'must' for any music history or music technology library. Midwest Book Review Chasing Sound is a welcome addition to a growing literature illuminating the history of sound recording... What makes the book unique are the author's interviews with dozens of engineers and producers. The voices of those who worked in the studios day in and day out enliven the rest of the book's narrative with a perspective born of practical experience. Journal of American History This 292-page hardbound book goes back to Edison's invention, moves through the electrical recording era and brings us to the end of the analog recording studio. -- Steve Ramm Anything Phonographic Schmidt Horning's excellent dissertation... provides us with valuable and well-founded information of the recording music business from its early beginnings until the rock music era. This book can be recommended to all not only interested in the technological development of sound recording, but also in the sociological change of the recording profession from the 1890s to the late 1960s. -- Peter Tschmuck Music Business Research Chasing Sound represents an indispensable and critical approach for historians of sound, one that is unafraid of reconfiguring the central players in a narrative as big as the history of recorded music. -- Enongo Lumumba-Kasongo Sounding Out! Schmidt Horning provides an insightful look into the conception and maturation of the recording industry and ways the continuing quest for improved sonic fidelity impacts popular music and Western culture. Susan Schmidt Horning's recent book, however, is a compelling exploration of a world largely hidden from view that has been shaped by scientists and recording engineers whom she calls tinkerers. More importantly, Chasing Sound is a vital contribution to sound studies that traces the shift from the aesthetic of live performance to the recorded object that has dominated the popular imagination for nearly a century... Moreover, Schmidt Horning attends to intricate detail but includes so much archival research that recordists, scientists, musicians, and others are humanized players in an important tale of American culture. Schmidt Horning cleverly unfolds this unique history while underscoring the significant accomplishments that they wrought. -- Kathryn Metz ARSC Journal (Association for Recorded Sound Collections) An engaging and colorful narrative about the evolution of a profession. -- Andre Millard American Historical Review This book is rich in detail and analysis, resulting from years devoted to researching into archives and collecting interviews (as well as Schmidt Horning's knowledge of the trade as a musician herself). -- Simone Turchetti British Journal for the History of Science Meticulously researched... -- Steve Savage Journal on the Art of Record Production Chasing Sounds is a masterful accomplishment. It offers a crucial addition to the burgeoning scholarship on sound and recording and holds significant value for students and scholars of labor, technology, and popular culture in the twentieth-century United States. With a sharp eye and keen ear, Susan Schmidt Horning gives us that rarest of treasures: a book that succeeds equally well as sophisticated analysis and engrossing narrative. It is highly recommended. -- Charles L. Hughes History: Reviews of New Books