Culinary Palettes

UNIVERSITY OF TEXAS PRESSISBN: 9781477330814

The Visuality of Food in Postrevolutionary Mexican Art

Price:
Sale price$127.00
Stock:
Temporarily out of stock. Order now & we'll deliver when available

By Lesley A. Wolff
Imprint:
UNIVERSITY OF TEXAS PRESS
Release Date:
Format:
HARDBACK
Dimensions:
229 x 152 mm
Weight:
740 g
Pages:
288

Request Academic Copy

Button Actions

Please copy the ISBN for submitting review copy form

Description

Lesley A. Wolff is an assistant professor of art and design at the University of Tampa. She is coeditor of the volume Nourish and Resist: Food and Feminisms in Contemporary Global Caribbean Art.

List of Illustrations Prologue Introduction. Entremeses Chapter 1. Bebidas: Pulque, Breast Milk, and the Nation Chapter 2. Guisos: Mole Poblano, a Blend of Colonial Labor and Modern Leisure Chapter 3. Frutas: Mr. Watermelon/SeNor SandIa and the Roots of Corporate Capitalism Conclusion. Bocadillos: Concentric Colonialities, or a Tale of Two Mexicos Appendix. Recipes for Mole Poblano or Mole de Guajolote Acknowledgments Notes Bibliography Index

Culinary Palettes is an exciting book that takes the scholarship on post-revolutionary Mexican art and culture in a promising and creative new direction. It situates the intersection of visual studies, art history, and food studies as they pertain to post-revolutionary Mexico and the visuality of foodways-in art, cookbook illustrations, menus, tourist ephemera, restaurants, home economics manuals, and advertisements that were essential for imagining the nation. - Mary K. Coffey, Dartmouth University, author of How a Revolutionary Art Became Official Culture Culinary Palettes offers sharp readings of Mexican modernity since 1940, a period of intensive but uneven development, entailing processes of industrialization, migration, and consumerism. Wolff's notion of "foodways as visual praxis" and emphasis on embodiment and cultural labor make a strong contribution to a still-emerging scholarly literature emphasizing tensions between materiality, visuality, and coloniality. As a scholar of Mexican art and as a passionate student of Mexican foodways, I found this to be a very creative and exciting work of scholarship for the fields of art history, cultural studies, and food studies centered in Mexico. - George F. Flaherty, University of Texas at Austin, author of Hotel Mexico: Dwelling on the '68 Movement

You may also like

Recently viewed