Charles Ramirez Berg is the Joe M. Dealey, Sr. Professor in Media Studies at the University of Texas at Austin. He is the author of The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films and Latino Images in Film: Stereotypes, Subversion, and Resistance. John Bruns is Professor of Film Studies and a faculty affiliate of the Women's and Gender Studies program at the College of Charleston. He is the author of Loopholes: Reading Comically and Hitchcock's People, Places, and Things.
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Preface 1. Early Cinema, 1891-1905 2. The Emergence of Narrative, 1906-1916 3. The Dawning of the Hollywood Studio Style, 1917-1927 4. The Golden Age of German Cinema, 1919-1933 5. Film and Revolution: The Rise of Soviet Cinema 6. Sound and Narration: The Transition to Talking Pictures, 1927-1933 7. The Golden Age of French Cinema, 1920-1939 8. Classical Hollywood, 1930-1945: Narrative Structure and Five Key Directors 9. Italian Neorealism 10. American Cinema After World War II 11. After Neorealism: Global Cinema in the 1950s 12. The French New Wave 13. Global New Waves: World Cinema in the 1960s 14. The New Hollywood: From Art House to Blockbuster, 1960-1985 15. Recent European Cinema: From 1980 to the Present 16. New Cinemas in a Transnational World, Part 1 17. New Cinemas in a Transnational World, Part 2 18. Indiewood, Hollywood, and the Age of Franchise Moviemaking 19. New Narratives in Film 20. Cinematic Alternatives in (Digital) Filmmaking, 1990 to the Present Index