Homer in Performance

JONATHAN L. READY Bloomington, Indiana. Ready is an associate professor of classical studies at Indiana University. His books include The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia. CHRISTOS C. TSAGALIS Thessaloniki, Greece. Tsagalis is a professor of Greek at Aristotle University. His books include Early Greek Epic Fragments: Antiquarian and Genealogical Epic.

A Note on Iota Adscript and the Transliteration of Proper NounsAcknowledgmentsIntroduction Jonathan L. Ready and Christos C. TsagalisPart I. RhapsodesChapter 1. Performance Contexts for Rhapsodic Recitals in the Archaic and Classical Periods Christos C. TsagalisChapter 2. Reading Rhapsodes on Athenian Vases Sheramy D. BundrickChapter 3. Performance Contexts for Rhapsodic Recitals in the Hellenistic Period Christos C. TsagalisChapter 4. Rhapsodes and Rhapsodic Contests in the Imperial Period Anne GangloffChapter 5. Formed on the Festival Stage: Plot and Characterization in the Iliad as a Competitive Collaborative Process Mary R. BachvarovaChapter 6. Did Sappho and Homer Ever Meet? Comparative Perspectives on Homeric Singers Olga LevanioukPart II. Narrators and CharactersChapter 7. Odysseus Polyonymous Deborah BeckChapter 8. Embedded Focalization and Free Indirect Speech in Homer as Viewpoint Blending Anna BonifaziChapter 9. Speech Training and the Mastery of Context: Thoas the Aetolian and the Practice of Muthoi Joel P. ChristensenChapter 10. Diomedes as Audience and Speaker in the Iliad James O'MaleyChapter 11. Hektor, the Marginal Hero: Performance Theory and the Homeric Monologue Lorenzo F. Garcia Jr.Chapter 12. Performance, Oral Texts, and Entextualization in Homeric Epic Jonathan L. ReadyChapter 13. Homer's Rivals? Internal Narrators in the Iliad Adrian Kelly Works CitedContributorsIndex of TermsIndex of Passages

"This collective volume seeks new angles from which to appreciate the artistry of Homeric epic by bearing down on its mode of performance, that blend of authoritative narrative and dramatic enactment called rhapsody...This volume shows that it can be profitable to consider epic rhapsody both as a popular mode of institutionalized storytelling and as a medium with unique resources for poetic expressivity."-- "Journal of Hellenic Studies" (12/3/2021 12:00:00 AM) A thought-provoking panoply of approaches to Homeric performance...The essays are for the most part of high quality, and the book is beautifully edited and produced, with a very useful bibliography...this is a fine volume of essays providing a variety of ways in to the interaction of performance and text in the Homeric poems.-- "Classical World" (5/1/2020 12:00:00 AM)