Dissident Practices

Claudia Calirman is Associate Professor and Chair of the Department of Art and Music at John Jay College of Criminal Justice and author of Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles, also published by Duke University Press.

Acknowledgments ix Introduction 1 1. Political Practices 14 2. Discursive Practices 58 3. Transgressive Practices 108 4. Practices of the Self 148 To Be Continued 187 Notes 193 Bibliography 219 Index 237

"Calirman's use of the notion of resistance as the book's central throughline effectively grounds these artists' disparate works in a rich, nuanced, and concrete sociocultural context. We are presented, then, not with a narrow history of women's art, but rather with a much broader history of social resistance from the point of view of women artists. . . . This book's rich archive will plant the seeds of future research projects, and the unanswered questions that the book left me with will be soon taken up." - Megan A. Sullivan (Revista) "Calirman makes the case that the work of many Brazilian women artists in the late 20th century has been read exclusively through the lens of various feminist movements, even when these creators did not principally affiliate with them. . . . This sharp observation sets the stage for a revelatory reassessment of the legacy of women artists in Brazil during the tumultuous six-decade period from the rise of Brazil's military dictatorship through the present." - Valentina Di Liscia (Hyperallergic) "In this concise, theoretically sophisticated, and meticulously researched book, Calirman surveys the work of activist women artists, some trans and queer, in the context of recent Brazilian history and the increasingly global art world. . . . This is an important addition to the literature, especially to the scholarship on modern and contemporary Brazilian art available in English. Essential. Lower-division undergraduates through faculty." - E. Douglas (Choice) "Calirman expertly contextualizes the work of significant Brazilian women artists within the political and social environments of their time." - Christine Rosa (ARLIS/NA Reviews) "Dissident Practices has many merits. It is an artistic, social, and historical experience throughout time and through the eyes of women artists. Calirman explores a myriad of views that ponder the multiplicity of voices as well as the historical changes and challenges faced by Brazilians throughout the last sixty years. . . . By bringing together multiple and dissident practices as a guiding force, Calirman turns the book into an almost permanent act of discovery and reflection regarding women artists and the condition of women in Brazil during the past few decades." - Ana Fauri (A Contracorriente) "Ultimately, Dissident Practices challenges scholars in the field to continue research on a subject matter that is of immense importance in the moment. Because of this, Dissident Practices serves as a critical reading for both graduate students and established scholars in the field." - Patricia J. Stout (The Latin Americanist)