Flannery at the Grammys


Price:
Sale price$283.00
Stock:
Out of Stock - Available to backorder

By Irwin H. Streight
Imprint:
UNIVERSITY PRESS OF MISSISSIPPI
Release Date:
Format:
HARDBACK
Pages:
277

Request Academic Copy

Button Actions

Please copy the ISBN for submitting review copy form

Description

Irwin H. Streight is full professor in the Department of English, Culture, and Communication at the Royal Military College of Canada. He is coeditor of Flannery O'Connor: The Contemporary Reviews and Reading the Boss: Interdisciplinary Approaches to the Works of Bruce Springsteen. He is cofounder and coeditor of an online journal devoted to Springsteen studies, BOSS.

Introduction Chapter 1: Bruce Springsteen:"The Flannery O'Connor of American Rock" Chapter 2: Lucinda Williams:Chasing Flannery's Peacocks Chapter 3: Mary Gauthier:The Brutal Hand of Grace Chapter 4: Kate Campbell:"Equal Parts Emmylou Harris and Flannery O'Connor" Chapter 5: Sufjan Stevens:In Flannery's Territory Chapter 6: Nick Cave:"In the Bleeding Stinking Mad Shadow of Jesus" Chapter 7: PJ Harvey:Uh Huh, O'Connor Chapter 8: Wise Blood, Punk, and Heavy Metal Chapter 9: Everything That Rises Coda: "Gonter Rock, Rattle and Roll" Bonus Track:Stage Names from O'Connor's Wise Blood and Characters Acknowledgments Notes Credits Index

This astute study by Streight, an English professor at the Royal Military College of Canada, traces Flannery O'Connor's influence on Bruce Springsteen, U2, Lucinda Williams, and other musicians. The connections that Streight unearths intrigue. . . . This will entrance music lovers with a literary bent. (Publishers Weekly) Flannery O'Connor was a great writer who lived a short life. Born with the proverbial tin ear, she knew nothing about music. So, it is more than ironic that the likes of Bruce Springsteen, Lucinda Williams, Mary Gauthier, Kate Campbell, Sufjan Stevens, Nick Cave, PJ Harvey, and others found inspiration and a sense of shared humanity in her Christ-haunted stories. In this compelling and endlessly fascinating exploration of O'Connor's oversized cultural impact on contemporary music and popular culture, Irwin H. Streight has written an important addition to the O'Connor canon, full of insightful critical commentary, making connections between stories and songs, and finding, as she did, the sacred within the profane." - June Skinner Sawyers, author of We Take Care of Our Own: Faith, Class, and Politics in the Art of Bruce Springsteen

You may also like

Recently viewed