Cormac McGarry completed his PhD at the University of Galway's Huston School of Film and Digital Media. His research examined the post-medium specificity of comics, looking at how a growing number of digital comics varieties affect our understanding of what makes up a comic book. He has presented his research at a range of conferences including the International Conference of Graphic Novels and Comics and the Irish Screen Studies Seminar series. Liam Burke is associate professor of screen studies at Swinburne University of Technology. His publications include the Pocket Essential Superhero Movies and the edited collections Fan Phenomena: Batman and The Superhero Symbol. He is also author of The Comic Book Film Adaptation: Exploring Modern Hollywood's Leading Genre, published by University Press of Mississippi. Ian Gordon has taught history and media studies for many years at the National University of Singapore. His publications include Superman: The Persistence of an American Icon, Ben Katchor: Conversations, Film and Comic Books, and The Comics of Charles Schulz: The Good Grief of Modern Life, the latter three published by University Press of Mississippi. Angela Ndalianis is an adjunct research professor in media and entertainment. Her publications include Neo-Baroque Aesthetics and Contemporary Entertainment, Science Fiction Experiences, The Horror Sensorium: Media and the Senses, and the edited volume The Contemporary Comic Book Superhero.
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Description
Foreword: Planetary Superheroes as Collective Daydream Frederick Luis Aldama Acknowledgments Introduction Cormac McGarry Section 1: Beyond Men of Steel Introduction: Beyond Men of Steel Angela Ndalianis Chapter 1: All New, All Different, or No Normal?: Marvel Comics and Superhero Diversity Naja Later Chapter 2: The Heart of a Hero: Disability and Humanity in the Origin Stories of Marvel Studios' Superheroes Alexandra Ostrowski Schilling Chapter 3: Monstrosity, Mutation, and the World without Us Octavia Cade Chapter 4: Midnight's Children and The Fortress of Solitude as Superhero Origin Stories Julian Novitz Chapter 5: African American Viewers Watching Black Panther: The Power of Representation Sheena C. Howard Section 2: Beyond Comic Books Introduction: Beyond Comic Books Ian Gordon Chapter 6: Animating Sub-Mariner and Aquaman: Generational Taste and the Moral Panic of the 1968 Television Season Djoymi Baker Chapter 7: The Toy Biz of Superheroes: Superhero Action Figures Jason Bainbridge Chapter 8: From Comic Books to Courtroom: Unmasking the Intellectual Property behind the Superhero Mitchell Adams Chapter 9: Capes, Tights, and Motherships: Superheroes and New Transmedia Star Systems Cormac McGarry Chapter 10: Super Fans or Toxic Madmen?: Fantasy, Reality, and Marginalized Identities in Subversive "DIY Superhero" Indie Films Jack Teiwes Section 3: Beyond the United States Introduction: Beyond the United States Liam Burke Chapter 11: We Need Another Hero: The Incompatibility of Superheroes and Australia Liam Burke Chapter 12: Without Seeing the Dawn: Monstrous (Super)Heroes and Philippine Myths in Mervin Malonzo's Tabi Po Maria Lorena M. Santos Chapter 13: Is There a Colombian National Superhero?: How Colombian Superheroes Help Define Ethnicity and Race in a Multicultural Society Enrique Uribe-Jongbloed and Hernan David Espinosa-Medina Chapter 14: Where Does Black Panther's Music Come From? Authorship, "the Other," and the Musical Representation of Africa in Hollywood Dan Golding Chapter 15: The Phantom in Aboriginal Australia: Educational Comics, National Identity, and Indigeneity Aaron Humphrey About the Contributors Index
In addition to highlighting fresh voices and offering new interpretations of familiar material, Superheroes Beyond opens significant new avenues in comics, film, popular culture, and fan studies, especially as these relate to marginalized communities and international imaginations. This collection represents a new and exciting generation of scholarship." - Neal Curtis, author of Sovereignty and Superheroes "Superheroes Beyond offers a wealth of different approaches to the phenomenon of the superhero and shines light on previously neglected case studies and scholarly contexts. This is a vital contribution to comics studies." - Blair Davis, author of Comic Book Women: Characters, Creators and Culture in the Golden Age

