Understanding and Managing Sophisticated and Everyday Racism


Implications for Education and Work

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By Victoria Showunmi, Carol Tomlin
Imprint:
LEXINGTON BOOKS
Release Date:
Format:
PAPERBACK
Pages:
204

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Description

Dr. Victoria Showunmi is associate professor at University College London in the Faculty of Institute of Education.



Dr. Carol Tomlin is visiting fellow at the University Leeds.


Front Piece: The Black Swan



Acknowledgments



List of Figures



Preface



Introduction



Chapter One: Race and Racism(s)



Chapter Two: The Tangled Web of Blackness, Identity and Race



Chapter Three: Sophisticated and Everyday Racism: What does it look like?



Chapter Four: The Language Style of Black Women and its Implications for Education and Work



Chapter Five: Challenges Hindering the Success of Some Black Women: Education, Parenting and the Labour Market



Chapter Six: Suffering in silence: Black British Young Women and their Well-Being



Chapter Seven: Black women reflecting on being Black in the academy



Chapter Eight: Flip the Script and Change the Narrative



Chapter Nine: Conclusion



References



About the Authors


Sophisticated Racism is essential reading. At once confronting, tender and sophisticated, the book centers Black womens lived experiences in a manner that critiques both national policy and everyday racism. The book is beautifully written, with Victoria Showunmi and Carol Tomlin sharing personal trauma and triumph while at the same time offering insights that researchers, policy makers and everyday people seeking better understanding of race, racism and race relations will find helpful.

— Jeffrey S. Brooks, Curtin University School of Education



This book provides a much needed analysis, language and toolkit for the often unarticulated, unacknowledged, and invisible experiences of everyday racism, classism and sexism faced by Black women. This work “sees” Black women in western society that habitually conflates Blackness with maleness and puts a finger on our common experiences as Black women/girls while being particular about experience of Black British women and girls which has been missing from British feminist literature. The ideas in this book reach out beyond the UK borders and is a welcome addition to the Black feminist canon started by Anna Julia Cooper and progressed by bell hooks, Angela Davis , Patricia Hill Collins, and Alice Walker.

— Daphne Cunningham, University of Oxford


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