Patrick Anderson is professor in the Departments of Communication, Ethnic Studies, and Critical Gender Studies at the University of California, San Diego, and a 2023 Guggenheim Fellow. His previous books include Violence Performed: Local Roots and Global Routes of Conflict (Pal- grave, 2009), So Much Wasted: Hunger, Performance, and the Morbidity of Resistance (Duke, 2010), and Autobiography of a Disease (Routledge, 2017).
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Prologue 1 I. Introitus 13 i. Office of the dead (Officium defunctorum) 14 ii. All flesh (Omnis caro) 19 iii. And he shall be like a tree (Et erit tamquam lignum) 26 II. Dies Irae 31 III. Kyrie Eleison 51 i. Sorrowful is my soul (Tristis est anima mea) 52 ii. What am I, miserable, then to say? (Quid sum miser tunc dicturus?) 58 iii. My soul is weary with my life (Taedet animam meam vitae meae) 70 IV. Lacrimosa 75 V. Offertorium 93 i. Through the tombs (Per sepulcra) 94 ii. Seeking me, you sat down wearily (Quaerens me sedisti lassus) 96 iii. Let not the abyss swallow them, lest they fall into obscurity (Ne absorbeat eas tartarus, ne cadant in obscurum) 101 VI. Sanctus 108 i. I kneel with submissive heart (Oro supplex et acclinis) 109 ii. Great trembling there will be (Quantus tremor est futurus) 111 iii. Hail, true body (Ave verum corpus) 128 VII. Benedictus 132 i. Death has struck (Mors stupebit) 133 ii. May the martyrs greet you at your arrival (Adventu suscipiant te martyres) 142 VIII. Agnus Dei 155 IX. Libera Me 174 i. A heart reduced to ashes (Cor contritum quasi cinis) 175 ii. When from the dust shall rise (Qua resurget ex favilla) 183 iii. That which is hidden will appear (Quidquid latet apparebit) 196 X. In Paradisum 199 i. Eternal light (Lux aeterna) 200 ii. Perpetual light (Lux perpetua) 207 Coda 217 Acknowledgments 225 Notes 229 Bibliography 243 Index 255

