A Knight at the Opera

Leah Garrett is the Loti Smorgon Research Professor of Contemporary Jewish Life and Culture at Monash University, having previously been an associate professor of English and Judaic studies at the University of Denver. She received a PhD in Jewish literary studies from the Jewish Theological Seminary. She has published two previous books: Journeys Beyond the Pale: Yiddish Travel Writing in the Modern World (Madison: University of Wisconsin Press, 2003) and edited The Cross and Other Jewish Stories by Lamed Shapiro (New Haven: Yale University Press, 2007).

"Leah Garrett's A Knight at the Opera reveals the important role played bythe Tannhauser legend in the work of Heine, Hertzl, and Peretz, demonstratingthat three of the greatest Jewish writers and thinkers of the pre-WorldWar I era were obsessed with a literary motif that was central to Germannationalism. At the core of this eye-opening work is Wagner's great opera, with which each of the three writers had an unexpectedly intimate connection."--Raymond Scheindlin, Professor of Medieval Hebrew Literature atThe Jewish Theological Seminary The playing of Richard Wagner's music still evokes controversy because of the antisemitic German composer's appeal for Hitler. Garrett (Jewish civilization/historical studies, Monash U., Australia) presents a synopsis of his Tannhauser opera, tracing of its sources to folklore, and analysis of how its nationalistic theme was ironically appropriated by three leading Jewish figures. In "Der Tannhauser" by Heinrich Heine, the German-Jewish poet satirized Christian ideas of sin and redemption. Zionist Theodor Herzl found inspiration in the opera for his manifesto for a Jewish state.Polish-Yiddish storyteller Isaac L. Peretz reworked the opera to extol Jewish values in Mesires-nefesh (Self-Sacrifice). Discussion questions conclude the text. (Annotation (c)2011 Book News Inc. Portland, OR)