Mashup Religion

John S. McClure is the Charles G. Finney Professor of Preaching and Worship at Vanderbilt Divinity School and editor of the journal Homiletic. His previous books include Other-wise Preaching: A Postmodern Ethic for Homiletics and Claiming Theology in the Pulpit. He lives in Nashville, TN.

Preface Acknowledgments Introduction 1 The Songwriter: Invention In and Out of a Theological Tradition 2 Multitrack Composition and Loop Browsing: Style and Theological Invention 3 Sampling, Remixing, and Mashup: Inventing the Theologically Possible 4 The Grain of the Voice: Inventing the Soundscape of Religious Desire 5 Fan Cultures: Getting Theological Inventions into the DJ's Crate 6 Lyrics: Inventing Theology in Response to Popular Music Appendix I: The Multitrack Sermon - A Homiletical Case Study Appendix II: Mashup and Theological Invention - An Academic Case Study Notes Bibliography Index of Songwriters, Composers, Musicians, and Bands Index of Names Index of Topics

" Mashup Religion charts new territory in debates about the nature of theology. Using popular music making as a jumping off point, it sets out a vision for creative, imaginative and rhythmic theologizing. McClure's is a refreshing and inspiring approach to communicating faith that is not directed at but learned from popular culture." --Pete Ward, Senior Lecturer in Youth Ministry and Theological Education, Department of Education and Professional Studies, School of Social Science and Public Policy, King's College, London "Who knew that musical loops, remixes, and sampling could offer such suitable metaphors for reimagining religious pedagogy? McClure stands apart, suggesting new possibilities for everyone anxious to communicate meaningfully to those ever-changing and regionally distinct audiences shaped so profoundly by popular culture." --Michael J. Gilmour, author of Gods and Guitars: Seeking the Sacred in Post 1960s Popular Music and The Gospel According to Bob Dylan: The Old, Old Story for Modern Times "This book is unlike any other in the field of popular culture and theology. With all the the wisdom, experience and insight of a practicing musician and theologian, McClure takes theology to the school of rock and finds many practical insights for how theologians can appreciate the skills of creative invention refined by successful creators of popular music. This stimulating, learned, and original book shows how much theologians need to learn about how to appreciate and shape desires from the very practices of the desire-shapers theologians often combat." --Tom Beaudoin, Associate Professor of Theology, Fordham University ...there is much to admire in McClure's careful juxtaposing of the latest music production techniques with the development of culturally relevant theology. -- Steve Knowles, University of Chester -- Modern Believing