Lucy Fischer is Distinguished Professor of English and Film Studies at the University of Pittsburgh. She is the author of Jacques Tati; Shot/Countershot: Film Tradition and Women's Cinema; Imitation of Life; Cinematernity: Film, Motherhood, Genre; Sunrise: A Song of Two Humans; Designing Women: Art Deco, Cinema, and the Female Form; and American Cinema of the 1920s: Themes and Variations. With Marcia Landy, she is the editor of Stars: The Film Reader. Patrice Petro is professor of English and film studies at the University of Wisconsin, Milwaukee. She is the author of Aftershocks of the New: Feminism and Film History and Joyless Streets: Women and Melodramatic Representation in Weimar Germany and the editor of several books, including Idols of Modernity: Movie Stars of the 1920s; Rethinking Global Security: Media, Popular Culture, and the War on Terror; and Global Currents: Media and Technology Now.
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"An invaluable resource not only for those new to teaching film but for those of us who have been working in the discipline for a long time and have grappled with many of the same issues addressed here." -- Pamela Robertson Wojcik, University of Notre Dame "[O]f great interest to anyone working in a field of education which deals with cinema either directly or indirectly. . . . [P]rovides some essential advice in preparing for classes that involve an audio-visual aspect. . . .Full marks to the editors for being so practical in their advice. . . . [Turim's essay] emerges as a concise and invaluable literature review for those who teach film in a feminist context. . . . [O]ne of the strengths of the book [is] that many of its writers constantly discuss resources and access to the films themselves. . . . [T]he editors have declared a philosophy of teaching that resonates through this worthwhile project." --Alexis Bennet, Music, Sound, and the Moving Image

