Across the West and Toward the North

UNIVERSITY OF UTAH PRESSISBN: 9781647690618

Norwegian and American Landscape Photography

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Edited by Shannon Egan, Marthe Tolnes Fjellestad
Imprint:
UNIVERSITY OF UTAH PRESS
Release Date:
Format:
HARDBACK
Dimensions:
254 x 216 mm
Weight:
360 g
Pages:
260

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Description

Shannon Egan is director of the Schmucker Art Gallery at Gettysburg College and the cofounder and codirector of the art gallery Ejecta Projects. She has authored articles on photographers Edward S. Curtis and Jeff Wall, and co-authored the artbook Ejecta. Marthe Tolnes Fjellestad is the curator at Perspektivet Museum, Tromso. She is coauthor of Starman--Sophus Tromholt Photographs 1882-1883, and coeditor of Library and Information Studies for Arctic Social Sciences and Humanities.

"Egan and Fjellestad's edited volume is a timely contribution to the history of photography that examines the shared, transnational impulses in white, predominantly male, Norwegian and U.S. photographic landscape representations and practices in a period of intrusive and often violent transformation of existing social-natural environments in both geographies." --Ingeborg Hovik, associate professor of art history, The Arctic University of Norway "Across the West and Toward the North examines how Norwegian and American photographers pictured the landscape in a period of earthshaking technological transformation and expanding infrastructure. Shared artistic strategies are revealed through this smart cross-cultural study, which challenges entrenched notions that nationalism was uniquely expressed and understood in the landscape photography of each country. This book anticipates growing transna-tional scholarship resulting from the bicentennial commemoration of Norwegian immigration to North America in 2025." --Leslie Ann Anderson, Director of Collections, Exhibitions, and Programs, National Nordic Museum "This international collaboration reveals fascinating parallels among nineteenth-century American and Scandinavian landscape photographers whose shared motifs--sublime geological phenomena, ethnographic and landscape tourism, wayfarers, railroads, bridges, roads, and inhabited landscapes--affirm communal, transnational connections. Such images featuring environmental exploration and exploitation, underscoring the delicate balance of nature and culture, have lasting relevance." --Theresa Leininger-Miller, professor, Art History, University of Cincinnati

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