Women's Literary Portraits in the Victorian and Neo-Victorian Novel

Aleksandra Tryniecka is Assistant Professor at Maria Curie-Sklodowska University in Lublin, Poland, a children's author and an illustrator.

Preface Acknowledgements Part I Chapter One: Dialogue in Revisionary Fiction Chapter Two: Intertextuality: Creating Theoretical Framework for a Literary Debate Chapter Three: Intertextuality in Practice: Examining the Literary World Chapter Four: The Novel Domesticated in the Victorian World Chapter Five: The Victorian Novel and Social Debate Chapter Six: Profits, Ideals, and the "Self": Victorian Ambiguities Re-discovered in Literature Chapter Seven: The Woman Question or Women Questions? Chapter Eight: The Ethics of the Past and the Present: The Nineteenth Century Re-imagined in the Modern World Chapter Nine: Beyond Nostalgia: Filling the Modern Culture with Victorianism Chapter Ten: Women and Spiritual Revival Chapter Eleven: Women and Family in the Neo-Victorian Novel Part II: The Neo-Victorian Novel: Women Characters Re-introduced in Intertextual Dialogue Chapter Twelve: The New Woman Restaged: The Madwoman in the Library and the Man in Ruskin's Garden in Gail Carriger's Soulless Chapter Thirteen: Women and their Apparel in Victorian an Neo-Victorian Texts: Constructing Women Characters by Means of Fashion Chapter Fourteen: Diving Deeper into Fashion: Clothes in Wilkie Collins' The Woman in White and in Gail Carriger's Soulless Chapter Fifteen: Voice and Identity in the Victorian and Neo-Victorian Novel: Charlotte Bronte's Jane Eyre, Jean Rhys' Wide Sargasso Sea and Clare Boylan's Emma Brown Chapter Sixteen: Nameless and Voiceless: Clare Boylan's Emma Brown and Jean Rhys' Wide Sargasso Sea Chapter Seventeen: Neo-Victorian Biofiction: Syrie James' The Secret Diaries of Charlotte Bronte and the Biography Retold Epilogue Bibliography About the Author

This multifaceted study, devoted to the various representations of female characters in the Victorian and neo-Victorian novel, relates to the debate concerning the impact of cultural tradition on modern literature. It offers an intertextual approach to female protagonists in such novels as Charlotte Bronte's Jane Eyre (1847), Wilkie Collins' The Woman in White (1859), Jean Rhys' Wide Sargasso Sea (1966), Clare Boylan's Emma Brown (2003), Syrie James' The Secret Diaries of Charlotte Bronte (2009) and Gail Carriger's Soulless (2009). Applying various aspects of literary theory, Aleksandra Tryniecka focuses in her book on the portrait of the woman in Victorian society as emerging from the intertextual dialogue of the present with the past. In its range and originality, this excellent book will appeal to both academically-minded bibliophiles and to those who are just avid readers of Victorian and neo-Victorian literature. -- Anna Kedra-Kardela, Maria Curie-Sklodowska University