Writing Australian History On-screen


"Television and Film Period Dramas "Down Under""

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Sale price$160.00
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In stock, 2 units

Edited by Jo Parnell, Julie Anne Taddeo, Contributions by Chelsea Barnett, Grace Brooks, Donna Brunero, James Findlay, Dirk Gibb, Andrew Howe, Kathryn M. Keeble, Jessica Meyer
Imprint:
LEXINGTON BOOKS
Release Date:
Format:
HARDBACK
Pages:
212

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Description

Jo Parnell is Honorary Lecturer in the School of Humanities, Creative industries, and Social Sciences, College of Human and Social Futures at University of Newcastle.



Julie Anne Taddeo is Research Professor in the Department of History at University of Maryland.


Chapter 1. Kings in Grass Castles: The Duracks and Screened Mythology



Andrew Howe



Chapter 2. “It’s a bastard of a place – takes a bastard to lick it”: Violence, Victimhood, and Nationalism on the Frontier in Luke’s Kingdom (1976), and Against the Wind (1978)



James Findlay



Chapter 3. Love, Lust, and Land Rights in The Naked Country (1985)



Chelsea Barnett



Chapter 4. Fisher Queens Versus the White Australia Policy: Challenging Orientalism in Miss Fisher and the Crypt of Tears, and Ms Fisher’s Modern Murder Mysteries?



Dirk Gibb



Chapter 5. “It’s the War That Didn’t Suit Me”: Miss Fisher’s Jack Robinson as Emblematic First World War Ex-Serviceman



Jessica Meyer



Chapter 6. Beyond Changi: Australians, Singapore and World War Two Films



Donna Brunero and Leong Yew



Chapyer 7. Labor History in Australian Film and Television: Sunday Too Far Away (1975), and Bastard Boys (2007)



Grace Brooks



Chapter 8. “I belong to me and no one else”: Jennifer Kent’s The Nightingale (2018) Reimagines an Australian Frontier Myth



Kathryn M. Keeble and Emmett H. Redding



Chapter 9. Plus ça change…: Mainstream Representation of Post-war Migrants from They’re a Weird Mob to Ladies in Black



Wenche Ommundsen


Parnell and Taddeo’s collection is a fascinating exploration of a subject that has provided much enjoyment for audiences, but has previously been neglected by academic scholarship: the history of Australia as represented on its screens. By exploring a number of important period dramas, the essays here uncover key questions about ethnicity, gender and national identity, reflecting on Australia’s past and present, and its diverse and complex population and culture. This book will be a highly valuable resource for students, scholars and interested viewers everywhere.

— Katherine Byrne, Ulster University


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