Paul du Quenoy is a private investor and critic. A trained historian, he received a Ph.D. from Georgetown University and has taught history, humanities, and fine arts at a number of institutions in the United States and abroad. His books include Stage Fright: Politics and the Performing Arts in Late Imperial Russia (2009), Wagner and the French Muse: Music, Society, and Nation in Modern France (2011), Alexander Serov and the Birth of the Russian Modern (2016), and Through the Years with Prince Charming: The Collected Music Criticism of Paul du Quenoy, 2010-2020 (2021). His writing has appeared in The New York Times, The Spectator, The New Criterion, The Los Angeles Review of Books, The Critic, The Washington Times, Musical America, and numerous other publications.