A New Perspective for the Use of Dialect in African American Spirituals

Felicia Raphael Marie Barber is director of choral activities at Westfield State University.

Contents Preface: An Introduction in Purpose Acknowledgments Foreword by Dr. Andre Thomas Definitions List of Figures List of Tables Chapter 1Sociolinguistics: It is a Matter of Perception Chapter 2Acquisition of Languages Established as a Result of the African Diaspora Chapter 3Establishing Performance Practice Part I: Researchers Chapter 4Establishing Performance Practice Part II: Dialect Employed in the Text Chapter 5Establishing Performance Practice Part III: Aural History - Transcriptions of Early Sound Recordings Chapter 6Trace History of Dialect in Four Specific Scores Chapter 7Research Findings Regarding Use of AAE Dialect in Spirituals: A Practical Application Chapter 8Moving Forward: Insight from Modern Arrangers and Next Steps Bibliography Appendices About the Author About the Contributors

This unique and critically important text offers the sociocultural context needed for understanding dialect and its use in African American Spirituals. Barber describes the painful reality of the acquisition of African American English through the African Diaspora, while also presenting the language as "a beautiful marriage of features found in both African and English languages." The author de-politicizes the use of dialect in song by situating it in the study of linguistics while simultaneously keeping central the inherent political and social implications for racial equality, inclusion, and diversity in our musical landscape. Barber's approach sheds a bright light on linguistic biases and the profound impact they have on the way we hear, select, perform, and study music. This text is an invitation to all who wish to engage in thinking critically about race, language, and the African American Spiritual. -- Andrea Maas, SUNY Potsdam