Naaman K. Wood is professor in the Communication Department at Saint Paul College. Christopher Booth is professor in the Music Department at Old Dominion University.
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PART I: MASCULINITY Chapter 1. An Alternative Masculinity: The Habuitus of Vulnerability, Presence, and Mundane Delight in Somewhere (2010) Chapter 2. Limits of Masculinity: Excess, Mimicry, and Ambivalence in The Virgin Suicides (1999) PART II: SEXUAL POLITICS Chapter 3. A Limited Liberation: Film Music, Suture, Feminism, and Anachronism in Marie Antoinette (2006) Chapter 4. Tables Turned: Hospitality, Phallogocentrism, and Virginity in The Beguiled (2017) PART III: BODIES Chapter 5. A Bodily Desire: (Micro)celebrity, Celebrity Culture as Parareligion, and the Erotic in The Bling Ring (2013) Chapter 6. An Embodied Joy: Carnivalesque Subversions and Grotesque Bodies in A Very Murray Christmas (2015) PART IV: LOVE Chapter 7. A Liminal Love: Charles Taylor's Malaise and Chela Sandoval's Decolonial Love in Lost in Translation (2003) Chapter 8. A Managed Love: Emotional Labor, Exhaustion, and Unhappiness in On the Rocks (2020)