Thomas Pynchon's Animal Tales

Keita Hatooka is professor of adaptation studies in the Graduate School of Science and Technology at Meiji University.

Introduction: For Whom the Fable Says: Pynchon, Lyotard, and Carson Chapter 1. Who Caught the Blood of the Alligator? V. Chapter 2. The Dolphin Jumped over the Moon: The Crying of Lot 49 Chapter 3. What We Talk about When We Talk about Extinction: Gravity's Rainbow Chapter 4. Who's Afraid of the Big Badass? Vineland and Inherent Vice Chapter 5. Sonnets for a Multispecies Cradle: Mason & Dixon and Against the Day Chapter 6. The Lady with the Alligator Purse: Bleeding Edge and Jonathan Safran Foer Conclusion: And Then There Were None (Except for Nature on the Screen): Documentary Guys, Grizzly Man, and Thomas Pynchon

"Keita Hatooka's study of Thomas Pynchon's Animal Tales is a compelling model for a combined approach of environmental criticism and postmodernism on a theoretical level and offers a comprehensive reading of Pynchon's entire novelistic oeuvre for its representation of non-human life in an anthropocentric world. Hatooka is a true pioneer of the still too rare ecocritical approaches to Pynchon and finally gives an English-speaking audience access to Pynchon's long-standing work in collected, revised, and updated form." -- Sascha Poehlmann, University of Innsbruck "Keita Hatooka's Thomas Pynchon's Animal Tales: Fables for Ecocriticism offers illuminating readings of Pynchon's works, situated at the intersection of familiar postmodern touchstones and both classic and more recent ecocritical perspectives. The resultant arguments concerning Pynchon's representations of non-human animals bring to light the degree to which critics have overlooked important ecological aspects of one of America's most vital postmodernist authors. Along the way, this book does more than draw attention to neglected aspects of Pynchon's texts: it shows how Pynchon can help us think better about futures of ecocriticism." -- Christopher K. Coffman, Boston University