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Ivon Hitchens

Name: Ivon Hitchens
Brand: LUND HUMPHRIES PUBLISHERS LTD
SKU: 9781848221499
Price: 87.99 AUD
Availability: InStock

LUND HUMPHRIES PUBLISHERS LTDISBN: 9781848221499

Price:

$87.99

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In stock, 10 units

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By Peter Khoroche
Imprint: LUND HUMPHRIES PUBLISHERS LTD
Release Date: March 16, 2014
Format: PAPERBACK
Dimensions: 100 x 100 mm
Weight: 1360 g
Pages: 208

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Ivon Hitchens (1893-1979) is widely regarded as the outstanding English landscape painter of the 20th century. Immediately recognisable by its daring yet subtle use of colour and brushmark to evoke the spirit of place, his work is to be found in public and private collections throughout the world.

Newly available in paperback, this is the definitive study of Hitchens' life and work. Peter Khoroche draws on the painter's published writings, correspondence and conversation to create a critical reappraisal of Hitchens' theory and practice. He surveys the entire oeuvre (still-lifes, flower pieces, nudes, interiors and large-scale murals besides the landscapes), a huge legacy of work spanning sixty years, and charts the journey from conventional beginnings to 'figurative abstraction'.

A selection of over 100 colour images, examples of Hitchens' best and most characteristic painting in all genres, provide a retrospective exhibition covering the artist's entire career. These illustrations, singled out for praise by reviewers of the hardback edition, demonstrate the artist's outstanding talents and reinforce his standing as a key figure in the history of British art.

Contents: Preface; Note to New Edition; 1893-1919: Parents - Childhood - Schooldays - Travel - Royal Academy Schools; 1919-25: Hampstead studio - Church decorations - Downland - Theories of Dow & Bell - Seven and Five Society - Chantemesle - Ben & Winifred Nicholson; 1925-33: First one-man exhibition - Sussex & Shropshire - Moatlands - London Artists' Association; 1933-40: Hampstead in the 1930s - 'Objective Abstractions': the end of the 7&5 - Marriage - Suffolk; 1940s: Greenleaves - Painting theory - 'Painting is painting' - First retrospective - Isolation in the country - Howard Bliss - The Sheffield Incident; 1950s: Nudes - Large-scale works - Development in landscapes; 1960-65: Motifs - A painting day - Paint, brushes, canvas, palette - Uncertain health & weather - Recognition - Second Retrospective; 1965-79: Seachange - Greenleaves - Music & Painting - Consummation; Notes; Appendix; Chronology; Exhibitions; Public collections; Select bibliography; Index.

'it remains the most comprehensive account of his life and work and draws on much of the artist's own writings and unpublished correspondence.' ARLIS

Ivon Hitchens

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