Section I: Legacies
Chapter 1: A visit to the master: G.F. Watts and the Victorian studio tradition
Chapter 2: Studio facts and studio fictions:; the studio, the new journalism and the art novel
Section II: The Studio as Home
Chapter 3: An Arts and Crafts Movement artist in the Cotswolds Henry Payne
Chapter 4: The artist as architect: Roger Fry and Durbins
Chapter 5: Augustus John: from the caravan to the urban stronghold
Section III: After the Victorians
Chapter 6: The artist and the swagger studio: William Orpen
Chapter 7: Studio, sculpture, architecture: William Reid Dick
Chapter 8: Old buildings, new art: Winifred and Ben Nicholson in Cumberland; Barbara Hepworth and John Skeaping in Hampstead
Chapter 9: The architectural heresies of a painter: Roger Fry and modernism
Section IV: Building for Art
Chapter 10: On display: domesticity, masquerade, modernity: Gluck, Eileen Agar, Dora Gordine
Chapter 11: Buildings int eh landscape: Augustus John, F.E. McWilliam
Chapter 12: Alistair Morton and Brackenfell: modernism, art and industry
Envoi/Conclusion